The First Dance of the Bride and Groom at the Wedding. How to Put on a Slow Beautiful Dance Number With a Surprise?

The dance of the new­ly­weds is con­sid­ered one of the impor­tant events dur­ing the wed­ding. There is no unequiv­o­cal ques­tion of which style to choose, it all depends on the pref­er­ences of the new­ly­weds. Waltz is cho­sen by most cou­ples, as it char­ac­ter­izes the cel­e­bra­tion in the best way.

The first wed­ding dance of the bride and groom should be easy, relaxed. It is bet­ter to stop at one that will not be dif­fi­cult. How­ev­er, it can be an incen­di­ary tan­go, ori­en­tal or a dance with a sur­prise.

As for the waltz specif­i­cal­ly, both part­ners must feel each oth­er, so chore­o­graph­ic prepa­ra­tion may be required. To clas­si­cal music, a beau­ti­ful and unusu­al dance evokes pleas­ant emo­tions among guests. He is trained with sup­port for sev­er­al days, so that in the end every­thing turns out as it should. It is espe­cial­ly dif­fi­cult for new­ly­weds who have to deal with this style for the first time, but with a good spe­cial­ist, as a result, all dif­fi­cul­ties can be over­come.

If both part­ners are not afraid to express their own feel­ings, which are very active in life, then it is bet­ter to pay atten­tion to the fiery tan­go. There is so much fire and pas­sion in this dance that the audi­ence lights up with this spark, and a good mood reigns at the wed­ding all evening. Don’t think that tan­go is just a few moves learned for an event. No, this is a real per­for­mance, where young spous­es act as the main actors. A mod­ern styl­ish dance will sure­ly cause a storm of emo­tions, while a gen­tle and roman­tic dance will allow you to share your feel­ings and ener­gy with oth­ers. You need to dance as if there is no one around for every­thing to go well.

Lati­no is becom­ing increas­ing­ly pop­u­lar, but it is suit­able for tem­pera­men­tal peo­ple, since expres­sion and fire­works of emo­tions reign on the site dur­ing per­for­mance. But it is not so easy to learn these move­ments on your own, so it is bet­ter to con­tact a spe­cial­ist who will help you under­stand them. Guests will be in awe of this soul-stir­ring per­for­mance.

Young cou­ples want such an event as a wed­ding to be remem­bered for­ev­er, so they are ready to make a sac­ri­fice and choose not tra­di­tions, but some­thing orig­i­nal for the guests. There­fore, more and more often the wed­ding dance is a real staged show. From the clas­sics they move on to more dar­ing ideas. You can start with a tra­di­tion­al waltz and end up with crazy rock and roll.

In fact, there are many options — you can just show your imag­i­na­tion or con­tact a spe­cial­ist who can help. The most fun dances that could cheer up at a wed­ding are:

• jive;
• twist;
• Latin Amer­i­can;
• rock­’n’roll.

For some, prepa­ra­tion becomes a test of strength, since most young peo­ple have nev­er tak­en up chore­og­ra­phy. You need to under­stand that the tra­di­tion­al out­fit is not intend­ed for active move­ments, which is why the waltz is most often cho­sen, or the new­ly­weds need to pre­pare addi­tion­al clothes to per­form the dance.

The song is of par­tic­u­lar impor­tance because it is remem­bered for a long time by the new­ly­weds and guests. Depend­ing on the dance, the choice of com­po­si­tion will dif­fer, but there are no clear cri­te­ria, since there is a huge amount of music in the world, and it depends only on the pref­er­ences of the new­ly­weds which par­tic­u­lar melody should be cho­sen.

You can sug­gest Sin Ti — Olga Tanon as an option for sam­ba, if it is an incen­di­ary tan­go, then Tan­go Forte — Duplex Inc. An active cou­ple who decid­ed to per­form a rum­ba as their first dance should bet­ter turn their atten­tion to the com­po­si­tion Am Who I Am — Lara Fabi­anI.

When you want to per­form a waltz, you should choose between Sans voir le jour — Enri­co Macias and Blut — Wiener. Angels — the Base­balls are the best for rock and roll dance.

When choos­ing a dance style, details play a huge role. This is not only what the new­ly­weds will wear, but also the wed­ding venue, shoes and oth­er impor­tant issues.

Danc­ing needs space. If it is not enough, then you should not choose a too active style, as it will be dif­fi­cult to per­form it. On a small plat­form, the waltz looks beau­ti­ful and organ­ic, since in a pair both part­ners move in the same direc­tion, there is no need to move too far from each oth­er. If the room has a low ceil­ing, then set­ting with high sup­port can ruin every­thing.

Absolute­ly not suit­able for such a space, Latin and rock and roll. The bride will have to jump on her hands, there is a risk of hit­ting her head on the ceil­ing, so either such a dance must be aban­doned or the num­ber of ele­ments reduced. Be sure to pay atten­tion to the floor­ing. If it is too slip­pery, then you will not be able to move quick­ly, there is a high risk of injury. Par­tic­u­lar atten­tion is paid to shoes. It is desir­able that it be with­out a heel, but you need to under­stand that in this ver­sion it is not suit­able for every type of dance.

The wed­ding dance should not be delayed, because, although the guests enjoy this spec­ta­cle, they will want to quick­ly return to the toasts and fun. Two or three min­utes are enough for invit­ed friends and rel­a­tives to shoot a short video and take mem­o­rable pho­tos. More­over, the new­ly­weds them­selves can get very tired, short­ness of breath will appear, both will sweat. The task of the wed­ding dance is to show your love and affec­tion, and not to win the relay.

The bride always tries to choose beau­ti­ful shoes for a good dress, but it often hap­pens that they do not always fit the dance, so it is bet­ter to pre­pare a spare, more sta­ble pair. It is bet­ter to pay atten­tion to bal­let shoes, wedges or wide heels, but not to buy stilet­tos, because inex­pe­ri­ence dur­ing active move­ments can cause injury and the hol­i­day will be remem­bered not by pleas­ant impres­sions, but by unbear­able pain.

When choos­ing a dance, you must first find out how tables with guests will be dis­trib­uted in the room. If they all stand on the same side, then the cou­ple should move from left to right in the dance so as not to turn their backs to those who have come. If peo­ple are sit­ting in a cir­cle, then the dance will have to move in a cir­cle, since every­one should con­sid­er the new­ly­weds.

Almost every wed­ding today is attend­ed by a pho­tog­ra­ph­er and a per­son with a cam­era, so every­thing needs to be done in such a way that every­one has the oppor­tu­ni­ty to take the best shots, which will then remain in mem­o­ry.

In order to get the max­i­mum plea­sure from the pro­duc­tion, both guests and new­ly­weds, you will need to mem­o­rize all the ele­ments well and work out each one. The soon­er you start train­ing, the bet­ter the dance will be, as there will be more time to cor­rect mis­takes. It is advis­able to con­tact a chore­o­g­ra­ph­er, because only a spe­cial­ist will be able to teach you how to move cor­rect­ly in a short time. In addi­tion, it is the spe­cial­ist who can find an indi­vid­ual style for a cou­ple and a dance in which it will be easy for both. On aver­age, rehearsals begin one and a half months before the wed­ding. This is enough, even tak­ing into account the employ­ment of both, to learn every­thing to the small­est detail. The orig­i­nal dance takes up to six lessons, but only if the new­ly­weds then repeat the move­ments at home.

If the bud­get is lim­it­ed, you can try and learn the per­for­mance your­self. Numer­ous video tuto­ri­als will help with this. These activ­i­ties have many ben­e­fits:

• no need to adjust to the time;
• no pay­ment;
• no embar­rass­ment;
• you can choose any accord­ing to the com­plex­i­ty of the move­ment.

The only neg­a­tive is that no one will be able to point out short­com­ings, give advice and show how this or that move­ment can be sim­pli­fied. When study­ing dance on their own, both in a pair can feel con­fi­dent, focus on details. Men espe­cial­ly do not like to look stu­pid, so train­ing at home is one of those pas­times when young peo­ple can become even clos­er to each oth­er. Such a fas­ci­nat­ing cre­ative process draws in, fills the future dance with life.

Any room in the apart­ment is suit­able for rehearsals, you just need to clean the space as much as pos­si­ble and remove excess fur­ni­ture. If we talk not only about the pros, but also about the cons, then the cou­ple should be as moti­vat­ed as pos­si­ble in order to bring the mat­ter to the end. It is not so easy to cal­cu­late your strengths, some­times it hap­pens that a cou­ple choos­es some­thing very dif­fi­cult at first, but after a few weeks they real­ize that it is impos­si­ble to per­form the dance due to the poor prepa­ra­tion of both. As a result, both are upset, time is lost.

It is not easy and with the selec­tion of a com­po­si­tion, it takes a lot of time to find it. It is not always clear from the video how this or that sup­port, turns are per­formed. When dif­fi­cul­ties arise, not every cou­ple reach­es the end and most often just gives up. If one of the part­ners has at least some expe­ri­ence in danc­ing, then every­thing is eas­i­er, it takes up to two weeks to study the pro­duc­tion with con­stant rehearsals. But it’s not enough just to pick up good music, you need to put all the move­ments togeth­er so that they look har­mo­nious. By exclud­ing com­plex sup­ports and oth­er ele­ments from the dance, the learn­ing peri­od can be reduced.

If there is not much time left before the wed­ding, then it is best to mas­ter the waltz, it always goes well with wed­ding clothes, it can be per­formed in almost any room and no extra effort is required. You can choose any waltz:

• slow Vien­nese;
• Boston;
• fig­ured.

If a cou­ple has already danced before, it is bet­ter to take the Vien­nese ver­sion as a basis, since it will require plas­tic­i­ty, flex­i­bil­i­ty, and good endurance from part­ners. Boston is ide­al for roman­tics, which is very ele­gant and dis­creet. For those who want the dance to be remem­bered for­ev­er, there is sim­ply no bet­ter option than tan­go. As for the fig­ured waltz, it can be described as a dance with amaz­ing, but uncom­pli­cat­ed move­ments. It is suit­able for girls who are plan­ning a fluffy out­fit with a wide skirt.

If you want the cel­e­bra­tion to be incen­di­ary, then all atten­tion is on rum­ba, sal­sa or cha-cha-cha. Every­one can remem­ber these rhyth­mic move­ments, and their imple­men­ta­tion does not require spe­cial train­ing. It is these dances that are able to demon­strate the whole gamut of feel­ings that new­ly­weds have for each oth­er. Most impor­tant­ly, if one of the cou­ple sud­den­ly for­gets one of the ele­ments, you can eas­i­ly impro­vise, and no one will guess any­thing

Cou­ples who want some­thing unusu­al can be offered clas­sic styles and retro, the move­ments of which will be com­bined in one pro­duc­tion. Mix always sur­pris­es and pleas­es with its orig­i­nal­i­ty. If you make a selec­tion of music, then the dance will turn into a real per­for­mance for guests, bright and excit­ing. Active and abrupt move­ments are espe­cial­ly good for those cou­ples in which the girl is small and petite, and the man is big and strong.

If you want to learn the dance, be in time for the wed­ding date and not for­get it, you need to rehearse at least once every three days. If you do less, then each time you have to return to the begin­ning. As clothes and shoes, you will need to choose the most sim­i­lar to the wed­ding out­fit, because in this way both part­ners will get used to feel­ing the oth­er half and coor­di­nat­ing their own actions. If there is a train in the out­fit, then it is nec­es­sary to train the dance per­for­mance, con­stant­ly hold­ing some­thing in your hand. A beau­ti­ful dance is always a lot of work, includ­ing cor­rect­ing mis­takes. Of course, none of the guests will demand per­fect per­for­mance from the cou­ple, but I want every­thing to be as har­mo­nious as pos­si­ble on the video and pho­to.

Almost all new­ly­weds make the same mis­takes while learn­ing the wed­ding dance. In order not to encounter them, you need to lis­ten to the fol­low­ing tips:

• if one of the part­ners does not like some­thing in the dance, then you should think about choos­ing anoth­er ele­ment;
• it is nec­es­sary dur­ing the per­for­mance not to get hung up on the guests, but to enjoy inter­act­ing with a part­ner;
• do not make a speech longer than three min­utes;
• before the wed­ding itself, they must train in the clothes in which the dance will be per­formed at the cel­e­bra­tion.

For infor­ma­tion on how to learn a wed­ding dance on your own, see the fol­low­ing video.